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NHK smashes the 4K barrier

In today’s world of broadcasting and commercial display technologies, video resolution seems to be the name of the game as we progress from full-HD to 4K (3,840 x 2,160 pixels), and now 8K (7,680 x 4,320 pixels) ultra-high-definition format. Developed by NHK, this Japanese prototype system is capable of displaying 32 megapixels' worth or 16 times more details than any consumer panel.

The theater on demonstration at CommunicAsia comprises two LCoS projectors with a combined 8,000 lumens brightness and a towering 6.6m x 3.7m 300-inch projection screen. If you think that is impressive, wait till you have a go at its triple-tier 22.2-channel cinema sound system. We're talking dual subwoofers, three, 10 and nine speakers at the bottom, screen level and overhead.

To reproduce the brilliant image clarity, the Japanese broadcaster has also developed a matching 8K studio camera, hard drive recorder and a high-bandwidth optical transmission system via IP networking. If you've missed this once-in-a-lifetime experience, you could visit Japan's Kyushu National Museum and pop by its Theater 4000 equipped with the same 300-incher instead.


Sony intros flash-based HD camcorder

As it inevitably had to do, Sony today announced the flash-memory version of its HDR-SR11 hard-disk-based HD camcorder, replacing the older CX7. A tad smaller than the CX7 by one or two tenths of an inch in every dimension, it uses the same 12x zoom lens and 5.6-megapixel ClearVid CMOS sensor that drives the SR11 (and its line mates, the SR10 and SR12). Since it's smaller than the SR models, it uses the same 2.7-inch LCD as its predecessor.

Going head-to-head with Canon's HF10, the HF10 still looks like a slightly better deal based on specs alone. It's very similar--both are SD-based models which produce 1920x1080 AVCHD video from approximately 1/3-inch sensors, though the HF10's is lower 3.3-megapixel resolution, and sport 12x zoom lenses. But for the same $900 Sony plans to charge for the CX12, Canon includes 16GB built-in memory for the HF10 while Sony plans to bundle a smaller 4GB Memory Stick Duo Pro Mark2. The actual street price may be cheaper, of course.

According to Sony, the CX12 will be able to record 25 minutes of highest-quality HD video (16 megabits per second) on the 4GB card. Unfortunately, it will still come with the inadequate (and horribly named) Picture Motion Browser software rather than a real video-editing application, like Sony's own Vegas Video Movie Studio.


Shockproof Shooter

In theory, you can fix most cameras onto your helmet or bicycle by using an excessive amount of duct tape. Sure, you'll look like a mess, but your camera will look even worse if you dropped it.

A better option would be Oregon Scientific's ATC5K. Designed to capture adventurers' conquests on the most dangerous trails, the shockproof shooter can be mounted onto helmets or bicycles to record those awesome first-person perspectives on video.

Like conventional digicams, the video resolution is 640 x 480 pixels at 30 frames per second, which is good enough to view on most displays. The internal memory holds 32MB of still pictures or videos, and the SD expansion slot supports up to 4GB. Unless you've brought enough AA-sized batteries for your expedition, we suggest you keep the viewing on the 1.5-inch LCD to a minimum.

The ATC5K will be available from August and will be priced at $199.


Go 3D without goofy glasses

The next big thing after extremely high-resolution displays is, of course, 3D technology. And we're not talking about those dated 3D glasses of yesteryear, as proven by French company Alioscopy here at CommunicAsia in Singapore. Onsite and attracting quite a crowd is its $10,526 40-inch 3D monitor capable of reproducing the same enticing visual depth without cumbersome glasses.

The trick lies in an optical filter-coated panel and specially encoded 3D videos, derived from eight independent points of view, with up to a staggering bandwidth of 9GB per minute. The 3D footage can be premixed before playback or processed on the fly using a dedicated encoder. For added versatility, the display is also compatible with plain vanilla 2D programs.

Its spokesperson indicated that larger 46- and 56-inch displays are next in the pipeline. So if you're into digital signage, marketing, communications, and 3D application spaces, this may be exactly what the doctor ordered. But for now, home consumers will have to rely on products like the latest Samsung plasma TVs based on the goofy 3D glasses.



 

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